Student Theses

Recent thesis titles include the following:

  • John Donne's Isaiah: A structural and exegetical examination of early-modern homiletics
  • Playing Doctor: Patriarchal Doctor/Patient Binaries in the Lives and Works of Zelda and F. Scott Fitzgerald
  • The Gothic Ape: Evolutionary Influence and the Post-Apocalypse
  • “On the Outside of the World Peeping In”: 20th Century African American Literature and the Advent of Kendrick Lamar
  • "We are gathered here today because we are not gathered somewhere else today": Slam poetry and political solidarity
  • K-Mart Conatus: Raymond Carver and Physical Anticipation of Revelation
  • God’s Ragged Edges: Religion and Public Life in the Work of Herman Melville
  • Belief in Lyric: The Intersection of Religion and Language in the Poetry of T.S. Eliot
  • The Loathly le Fay: Morgan le Fay as Irish Sovereignty Myth in Sir Gawain and the Green Knight, The Wife of Bath’s Tale, and Morte Darthur
  • Radical Openness and The Possibility of Reading
  • A Fearsome Inheritance: Queer Gothic Families in Post-World War II Literature and Film
  • “Our Brains Upon the Same Lines”—Collaboration as a Mode of Resistance Against Aesthetic Dogmatism in Virginia Woolf’s Life and Work
  • “And Never Shall My Harp Thy Praise Forget”: Memory, Subjectivity, and Poetic Devotion in Paradise Lost
  • Willfulness, Shame, and Trauma in Eimear McBride's Novels
  • “Water, water, everywhere, nor any drop to drink”: A Posthumanist Evaluation of Formal and Rhetorical Environmental Literary Strategies
  • “‘Lost’ Along the Color Line: The Conflict over Race and National Identity in the Selected Works of F. Scott Fitzgerald and Claude McKay”
  • “Wollstonecraft’s Maria; or the Wrongs of Women and Shelley’s Frankenstein: Echoes and Revisions”
  • “Writing ‘the Jew’: Semitic Discourse in Oliver Twist, Daniel Deronda, and Reuben Sachs”
  • “Christianity and Decolonization: Louise Erdrich’s Reinscription in Love Medicine, Tracks, The Beet Queen, and The Bingo Palace”
  • “‘A Shape Within the Watry Gleam’: Writing, Subjectivity, and Visuality in Early Modern Literature”
  • “Striking it Rich Behind the Linear Black: The Sonnet Sequences of Seamus Heaney”
  • “‘So Young and Tender of Age’: Children and Other Suffering Innocents as Marian and Christological Images in Chaucer’s The Canterbury Tales”
  • “Williams, Joyce, and Visual Clamor”
  • “Constructing Cleopatra: Making Sense of a Female Sovereign in William Shakespeare’s Antony and Cleopatra”
  • “Nation, Faith, and Body: Corporeal Subjectivity in Salman Rushdie’s The Satanic Verses”
  • “‘The Labour Which That Longeth Unto Me’: Male Gaze versus Female Body in ‘The Knight’s Tale’ and ‘The Clerk’s Tale’”

Recent field exam titles include the following:

  • "Playing the Woman Card:" The 2016 Presidential Election, Campaign News, and the Gendered Appeal
  • 1840–1940: The Development of a Modern Ireland and a Modern Literature
  • The Literary Memoir
  • “Women of Color Feminism in the Multicultural Classroom: Self-Narrative as a Pedagogical Tool.”
  • (Un)Safe as Houses: Gender, Memory and National Trauma in American Haunted House Novels of the Late Twentieth and Twenty-First Century
  • “Goddesses of Night”: Deviant Women in the Gothic
Corr Hall

Contact Us

Villanova University
Department of English
St. Augustine Center
Room 402
800 Lancaster Ave.
Villanova, PA 19085

Dr. Evan Radcliffe
Graduate Program Director

Emailevan.radcliffe@villanova.edu
Phone: (610) 519-4648

Brooke Erdman
Graduate Program Coordinator
Email
brooke.erdman@villanova.edu
Phone: (610) 519-7826